The Judas Kiss | Boston Court Pasadena

David Hare’s "The Judas Kiss" Directed by Michael Michetti | February 15 – March 24

UPDATE! Final Two Weeks! Two added performances: Monday March 18, 8pm and Saturday March 23, 2pm

Final performances of this daring David Hare play with an exquisite lead performance by Rob Nagle as Oscar Wilde.

PHOTO: Jenny Graham | | Rob Nagle stars as Oscar Wilde in The Judas Kiss at Boston Court Pasadena


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Boston Court Pasadena commences the 2019 theatre season with a rare production of David Hare’s The Judas Kiss (February 15 – March 24), which tells the story of Oscar Wilde’s love for Lord Alfred “Bosie” Douglas – and tracking his downfall as he endures a brutal trial and life in exile.

Helmed by Artistic Director Michael Michetti, the play examines a literary icon who continues to hold onto his passionate ideals of love and beauty as his life crumbles around him. Sir David Hare, the British playwright behind Plenty, Skylight, and Stuff Happens creates “an emotionally rich drama illuminated by Hare’s customary insight and humanity.” (The Globe and Mail).

PHOTO: Jenny Graham | | The cast of The Judas Kiss on stage at Boston Court Pasadena

The Judas Kiss features Rob Nagle (Oscar Wilde), Colin Bates (Lord Alfred “Bosie” Douglas), Darius De La Cruz (Robert Ross), Will Dixon (Sandy Moffatt), Matthew Campbell Dowling (Arthur Wellesley), Mara Klein (Phoebe Cane) and Kurt Kanazawa (Galileo Masconi).

In spring of 1895, Oscar Wilde was larger than life. His masterpiece, The Importance of Being Earnest, was a hit in the West End and he was the toast of London. Yet by summer he was serving two years in prison for gross indecency. Punished for “the love that dare not speak its name,” Wilde remained devoted to his beloved, Lord Alfred “Bosie” Douglas.

PHOTO: Jenny Graham | | Colin Bates and Rob Nagle in The Judas Kiss on stage at Boston Court Pasadena

The Judas Kiss revolves around two pivotal moments in his life: the day when, cajoled by Bosie into an ill-fated trial, he decides to stay in England and face imprisonment, and a night when, after his release two years later, the lover for whom he risked everything betrays him again.

Artistic Director Michael Michetti said, , “Oscar Wilde is such a master of literature, and in his work he was able to express himself so fully. But his personal life was quite the opposite. David Hare has found an authentic voice for Oscar; here he’s not the aphorism-spouting dandy we’ve come to expect, but a deeply complex man who worships beauty and lives for love, even if it means his downfall.”

PHOTO: Jenny Graham | | Darius De La Cruz and Rob Nagle in The Judas Kiss on stage at Boston Court Pasadena

The Judas Kiss debuted on Broadway in 1998, starring Liam Neeson as Oscar Wilde.  It was revived in London in 2012, starring Rupert Everett, and played Brooklyn Academy of Music (BAM) in 2016.  The Guardian said of the revival, “The Wilde that emerges is a multifaceted character: one who can either be admired for his uncompromising moral integrity, or pitied for his wilful capacity for self-destruction. This is the most convincing dramatic portrait of Wilde that I have come across.”

In an interview with BAM in 2016, playwright David Hare explained his original inspiration for the play: “I’d admired Wilde since I was 10 years old. I tried to study him at university, but I was told by my Cambridge English literature supervisor that Wilde was not serious. I ignored the advice. I never wanted to write biographical plays but I had always been fascinated by the question of why Wilde turned down the opportunity to run away and avoid prosecution. But I also loved the period of his life after prison when, in exile and with apparent perversity, he returned to the lover who had precipitated his downfall. I decided that making a play out of these two separate, apparently incomprehensible actions would be exciting.

“I was drawn to Wilde by his insistence that morality does not consist of telling others what to do, it’s what you do yourself. This is my own view. If you think of all the greatest women and men in history, they illuminate by example, not by instruction. They keep their noses out of other peoples’ business. They don’t judge others, they judge themselves.”

*for mature audiences. Nudity.

Flexible subscriptions, as well as a theatre-only subscription, are now available for the 2019 season and range from $54 – $130. Also available is the Full Court Pass, which allows unlimited access to tickets to any Boston Court Pasadena season performances for $25/month. Single tickets range from $20 – $39 and are available beginning January 8, 2019. Visit or call 626.683.6801 to subscribe or purchase single tickets.

About Boston Court Pasadena

Located in Pasadena, California, Boston Court Pasadena is nonprofit arts center primarily dedicated to new and original work by living artists. Founded in 2003 by philanthropist Z. Clark Branson, Boston Court features a state-of-the-art, intimate facility designed to bring audiences and artists closer together. The 80-seat Marjorie Branson Performance Space and the 99-seat Main Stage serve as homes for Boston Court’s season of bold, risky theatre and its eclectic, diverse music series. Boston Court is also the home of an annual new play reading festival, an Emerging Artists Series, as well as Art Upfront, a rotating visual arts program. Boston Court is led by an 14-member Board of Directors, Executive Director Kyle Clausen, and Artistic Directors Jessica Kubzansky and Michael Michetti (Theatre), and Mark Saltzman (Music).

Key funding is provided by Los Angeles County Arts Commission, The Harold & Mimi Steinberg Charitable Trust, The Shubert Foundation, The Colburn Foundation, Lazy L Foundation, Pasadena Arts & Cultural Commission and the City of Pasadena Cultural Affairs Division, The Amphion Foundation, and the Z. Clark Branson Foundation. The 2019 theatre season is sponsored by the S. Mark Taper Foundation.